Albums
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Dirty Projectors veer into self-parody on Lamp Lit Prose
09.07.2018 / 07:00

On The Longest Day, Toby Hay widens his perspective
08.07.2018 / 08:04

On The Longest Day, Toby Hay widens his perspective
08.07.2018 / 08:04

Cornelia Murr's Lake Tear of the Clouds is a glorious, meditative debut LP
04.07.2018 / 09:44

There's much to admire on Emilie Levienaise-Farrouch's Epoques
02.07.2018 / 15:52

Resina's new album, Traces, is a thrilling, unsettling tour de force
28.06.2018 / 10:33

Let's Eat Grandma come of age on I'm All Ears
25.06.2018 / 09:00

Let's Eat Grandma come of age on I'm All Ears
25.06.2018 / 09:00

Nine Inch Nails' Bad Witch is their finest work in over a decade
24.06.2018 / 23:08

Luluc's characteristically intricate songwriting shines on Sculptor
24.06.2018 / 09:12

There's beauty amid the chaos of Death Grips' Year of the Snitch
23.06.2018 / 09:55

Will the real Bebe Rexha please stand up?
22.06.2018 / 13:55

Olivia Chaney's understated Shelter becomes richer with each listen
22.06.2018 / 09:44

Stuart A. Staples' Arrhythmia is a record to cherish
21.06.2018 / 08:15

Girls Names make heavy work of album four, Stains on Silence
17.06.2018 / 21:53

Vulnerability is subverted into strength on Petal's Magic Gone
17.06.2018 / 09:07

Glasgow's Vital Idles channel their influences pleasingly on Left Hand
16.06.2018 / 10:40