The symbolism of singer/songwriter Robert Rorison’s chosen nom de plume – naturally buoyant but coloured by gloom, perhaps tied down by somebody’s string – provides a thoroughly appropriate motif for his debut album.
About Chris Jones

Polly and the Billets Doux – Hold Fast EP
Straightforward, sometimes fun, with a tempering air of piquant sophistication, these four tracks form a fetching miniature. Here’s hoping the bigger picture will be clearer on the next album.

Two Wings – Love’s Spring
Demanding, yes – but there are plenty of reasons to love this lavish album. Whether you do, ultimately, depends on your regard for Hanna Tuulikki’s visceral lead vocals.

Ellen and the Escapades – All the Crooked Scenes
Ellen and the Escapades have cracked a hugely marketable formula and deliver a debut with warmth and charm – but the effect is a little less enduring than might be expected.

Seth Lakeman – Tales from the Barrel House
Mixing revelry and reverie, Seth Lakeman has earned his renown. Having the self-confidence to shrug off a major label deal for total creative control is only a virtue when you can deliver something as strong as this.

Lonely Drifter Karen – Poles
Bolder, colder and brushed in chrome, Poles is the sound of a band finding their stride, hitting their straps and reaching new heights. This is a stylistically cohesive, colourful maelstrom of brooding but punchy interplanetary dream pop.

Sophia Knapp – Into the Waves
Knapp’s floaty vocal style is creative and appealing – but all too often these songs are deflated by the drab beats and tinny tinkles of soulless polymer pop.

The James Low Western Front – Whiskey Farmer
Though authentic and sporadically affecting, Whiskey Farmer suffers from its borrowed themes. File under “promising” for now.

Ruth Moody – The Garden
Elegant and tender, Moody and friends tend their patch with care and colour, cocooning the listener in an optimistic microcosm of life and its cycles.

Benjamin Shaw – There’s Always Hope, There’s Always Cabernet
They say it’s the hope that kills you, but I daresay Shaw’s music would still sound pretty beaten up without it. Solitary, stream-of-consciousness, broken folk, pricked with acerbic spikes of wit, this is a rare thing: a record that offers a venting of desolation alongside odd doses of hilarity.

High Highs – High Highs EP
From the opening crackle and chime of ‘Flowers Bloom’ to the mellifluous refrain of the EP’s closing track, these are shaded, sumptuous and soothing songs.

Blouse – Blouse
This 80s-aping three-piece conjure an array of spectral shades and convey their vision with consummate ease. Blouse’s debut unveils a warehouse full of the dark and dilapidated, the faded and forgotten, the ephemeral and ethereal.
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