Electric English is not groundbreaking nor really anything that competes with their back catalogue, but overall it’s a good listen that will satisfy fans.


6.5/10Electric English is not groundbreaking nor really anything that competes with their back catalogue, but overall it’s a good listen that will satisfy fans.

7.5/10Galapagos offers diversity and stickiness and ensures that the Post War Years might hang around a while yet.

8.5/10For the first three tracks of their debut, Concrete Knives ooze upbeat, indie party. Then, Be Your Own King becomes a study in contrast.

8/10With Krieg und Frieden (Music for Theatre), Apparat has created yet another awesome dimension to his diverse catalogue of releases.

7/10Homosapien is at times somewhat unrefined and confusing, but generally it presents as a complex and accomplished beast. A good album, with great moments.

7.5/10Wrapped in ’60s nostalgia, Adam Green and Binki Shapiro’s self titled debut record really has everything: except true love.

6/10Drenched in minimal, slow and moody arrangements, Badwater gives no apology for its intentional pace. In fact it revels in it.

8/10Ranging from folk-pop to synth rock, Merz’ latest sounds amazingly unified given all the elements at play.

5.5/10Mackaper presents the organ as the main course in their second album, but the experience does not leave you satisfied.

8/10Tape One successfully delivers hip hop nostalgia while forging completely new territory both sonically and lyrically.

7/10There are some fleetingly beautiful moments here: perhaps the whole point.

7/10This remix album moves Biophilia laterally into a different place: more beats, less beauty.
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