We’re out in Iceland’s breathtaking capital preparing for one of the country’s most up-and-coming independent music events.
We watch E and his timeless band bring a surprisingly rocky and utterly enjoyable show to Brixton’s Academy in support of new album Wonderful, Glorious.
One of the most widely-discussed neo-classical composers of recent years fills and enraptures London’s Barbican with superb grandeur.
Sigur Rós prove just why they were so picky about their daylight Bestival slot last summer with a performance unlike any other.
On which Frightened Rabbit make a triumphant return to the magnificent songwriting present on their lauded second album.
The heart breaking intensity of Justin Vernon’s smaller shows is replaced with an all embracing humour and a surreal sense of jubilation that despite prior scepticism manages to fill Wembley Arena.
Keaton Henson’s performance at The Cinema Museum may just have been the most special, intimate show we’ve witnessed all year. Merlin Jobst reviews.
For all its phenomenal vision, Bestival may want to consider re-establishing its niche before it becomes just another soulless festival giant.
Merlin Jobst speaks to Glasgow’s The Unwinding Hours about their critically acclaimed second album, Afterlives.
This year’s Green Man Festival proved, and not for the first time either, that independence in entertainment is worth struggling for.
She Keeps Bees treat a stifling Cargo to a superb performance. Merlin Jobst reviews.
Refusing to throw in the incredibly soaked festival towel, Merlin Jobst spent last weekend watching the likes of Three Trapped Tigers, Brontide and Future of The Left in the fields of Gloucestershire.
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