The Best Fit Interview

Drinks: Throwing out the rulebook

We speak to Cate Le Bon and Tim Presley, aka Drinks, about the album they’ve made together, improvisation and what ‘Not Jazz’ means.

True Detective’s Lera Lynn: “I’ve never really tried to see how dark I can go”

Portraying a down-and-out singer in a dive bar, Lynn's character is as much a mystery as the show itself.

Flo Morrissey interviewed: “I’ve just been doing what feels natural to me”

A soul out of time with the world, Flo Morrissey tells Lauren Down why tomorrow will be beautiful.

Mac DeMarco: “It’s all love songs this time”

Mac DeMarco might not be your stereotypical heartthrob but as he gears up to release a mini-LP this week Jessica Goodman finds out why more people than ever are swooning at the cheeky, dungaree-donning, Viceroy-smoking Canadian.

Hurts: Sadness is Easy

Materialising out of the darkness of their two previous albums, Hurts discuss finding the light with their third record Surrender and the intensity of their fans.

Kathryn Joseph: Spilled blood and bones thrown

We speak to SAY Award winner Kathryn Joseph about the journey filled with peaks and potholes which led to her success.

“There should be more girls”: Lucy Rose on festivals, feminism and honesty in music

As her new record Like I Used To bursts into the top ten, Lucy Rose tells us why she's angry about the lack of female representation at festivals but happy about everything else.

Sonic architect Holly Herndon on bridging the gap between the cerebral and the danceable

The San Francisco-based composer, sound artist and researcher Holly Herndon talks about the cutting-edge craft on new album Platform.

Jenny Hval tells us about the making of her incredible new album Apocalypse, girl.

A record delving into gender, religion and sexuality through ambient, experimental, trip-hop, jazz and folk music, Norwegian artist Jenny Hval runs though the challenges and process behind Apocalypse, girl.

Manchester’s LoneLady on the isolated process behind second album Hinterland

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