The band come at us with a more arena-friendly, singalong incarnation of themselves for their fourth full length.


6/10The band come at us with a more arena-friendly, singalong incarnation of themselves for their fourth full length.

8.5/10Our emotional journey through Gallops’ forthcoming debut album confirms two things: 1) It’s brilliant, and 2) Gallops are trying to fuck with us.

Canadian twins Tegan and Sara offer up an enjoyable sojourn into pop-punk nostalgia and emo sensibility at The Forum.

Natasha Khan talks about the journey that created her third album, The Haunted Man.

6.5/10A smoother, less harsh sound from Kristian Matsson on album number three.

An album all about a voice, and a lovely voice it is too. No matter what it’s singing, desolate and pained or hopeful and sanguine, the songs are beautiful and easy on the ears but with enough dark underpinnings and pulsing weird instrumentation to maintain interest.

We caught up with Fanfarlo ahead of their US tour to find out what brought about the change in direction that has marked their latest release, Rooms Filled With Light, and how fans and Twitter help the band to survive life on the road.
Real Estate take their relaxed, nostalgic sounds to London’s Scala,and leave us all feeling warm and fuzzy. Buzz Stas feels the good vibes.

The Kills’ chaotic sound may not have been perfect when they took over Brixton Academy, but that certainly won’t be what The Kills’ fans are talking about. They came for a show, and they got one, writes Buzz Stas

The Kendal quarter return to London and deliver a faultless set to an audience of the devoted. Buzz Stas reviews.

We catch up with Dry the River’s Scott and Matt before their in store performance at London’s Regent Street Apple Store, to talk about the recording of their new album, the release of their Weights and Measures EP, and touring with Bombay Bicycle Club.

Buzz Stas gets elated about Dry the River and all hatey about Coldplay.
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