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When Saints Go Machine – Infinity Pool

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8.5/10

An ambitious anthology of innovative tracks streaked with sheer pop brilliance.

Dungeonesse – Dungeonesse

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7.5/10

Even if this ends up being just a fanciful one-off from Jenn Wasner and Jon Ehrens, it has been a splendid and stunning sonic detour.

Sam Amidon – Bright Sunny South

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7.5/10

While this album is by no means a huge leap forwards for Amidon it embodies so perfectly the traditions with which he is enamoured, and of which he is slowly becoming a part.

Brazos – Saltwater

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7.5/10

The second album by NYC-via-Austin’s Martin Crane as Brazos is a freewheeling pop odyssey, inspired in part by Herman Melville’s Moby Dick.

Daft Punk – Random Access Memories

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9.5/10

The French duo have not only made a career-defining album, but the smartest dance album since disco. – a perfectly imperfect vision of humanity as seen through the eyes of two androids.

Baths – Obsidian

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7/10

Baths returns with a more accessible but thoroughly downbeat second offering which he considers his “weird version of a pop record”.

Primal Scream – More Light

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5/10

On their long-awaited tenth album, the compellingly inconsistent Primal Scream sound genuinely determined to prove themselves but whether they pull it off or not is another question.

The Fall – Re-Mit

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7/10

Uncompromising and challenging, Re-Mit is as focused a vision as Mark E. Smith and co have produced in a while and ultimately, it’s exactly what you’d expect them to sound like in 2013, with 30 albums under their belt.