Search The Line of Best Fit
Search The Line of Best Fit

Tame Impala – Cargo, London 17/08/2010

23 August 2010, 16:53 | Written by Paul Bridgewater

Since the Antipodean psychedelic revival in the 1980’s, there’s been a slow but steady stream of quality psych rock drifting ashore in the UK and Europe (Canberra’s The Church immediately springs to mind).

The latest quality product from down under arrives here, as most Australian bands tend to do, fully formed and consummately professional.

It’s surprising then that despite a history that stretches back into the the first half of the last decade, Tame Impala have only just got round to releasing their debut album Innerspeaker – and to almost universal acclaim. It’s a capacity crowd that greets them at London’s Cargo tonight; an audience made up of a number of their fellow countrymen and women (and, I later learn, the actor Jason Schwartzman).

With the signs of jet-lag creeping through, the quintet take to the stage barefooted and styling an image that straddles the place where slacker meets paisley. Utilising a seemingly infinite array of guitar pedals, they reel off a set that picks up the highlights from Innerspeaker, modelling their live sound with the energy, quality and accessibility that makes the record such a vital listen.

‘Meant to Be’ and ‘Make Up Your Mind’ get an extended jam section which touches on the more proggy aspects of their sound but ‘Desire Be/Desire Go’, the album’s lead track, is the predictable highlight for most; an ear-hugging pop gem that melds a quintessential sixties beat and reverbal vocal to a contemporary sound. Despite Frontman Kevin Paker looking like he’s in another time zone, there’s not a note out of sequence nor a missed line.

Before they close, there’s time for a truly novel and mindblowing take on Blue Boy’s ‘Remember Me’ and a nod to The Horrors, who have been manning the DJ booth between bands with a fine selection of garage, psych and freakbeat. And then it’s all over as they close with a phenomenally drawn out version of ‘Half Full Glass of Wine’. It’s tight, neat and effortless.

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