Beach House – Village Underground, London 24/05/12
Whilst many of our compatriots set forth for the nation’s shores to enjoy that most unexpected and transient of things – the lesser-spotted British summer – a select few eschew the allure of sea, sand and the ill-advisedly shirtless to enjoy a Beach House of a different kind. Currently promoting their fourth album Bloom, the Baltimore duo’s star is very much in ascedence and tonight’s impressive performance can only consolidate their inexorable rise to the highest echelons of indie-dom.
Their new offerings don’t deviate dramatically from what has gone before; the well-worn but comforting template of shimmering synth-led dream-pop, Victoria Legrand’s gently rasping alto and Casio drum beats remain fully intact. But that’s not necessarily a criticism, even if a few songs lack enough punch to distinguish themselves from the general milieu. Beach House continue to do what they do very well, and as the clamour for them to throw away their keyboards and embrace dubstep/nu-metal fusion appears to be limited, why fix a formula that ain’t broke?
In any case, it would be unfair to say that the band hasn’t evolved at all since their eponymous debut. Their recent material is more polished; their melodies more substantial and memorable. Those who witnessed them five years ago may recall a nervous, uncharismatic duo, fumbling their way through their songs with the panache of sixth-form recitalists. Half a decade on, and they’ve transformed into a confident, accomplished live act, successfully recreating the gorgeous, hazy splendour of their albums with, if not electrifying charisma, then at least enough stage presence to complement the atmospherics.
Setlist-wise, the ethereal “Gila” and the majestically wistful “Walk In The Park” are early (if predictable) highlights, with “Myth” standing out as the strongest of the new songs, but it is ultimately the strobe-laden, fuzzed-out take on “10 Mile Stereo” that showcases the band at their immersive, iridescent best. There’s still room for improvement – a touch of awkward banter, the occasional duff note – but by and large, Beach House’s swoonsome sounds make a stifling Shoreditch brickhouse the coolest place in London.
- Lady Gaga officially holds record for highest-attended concert by a female artist
- Julien Baker cancels joint tour with TORRES to "focus on her health"
- Billie Eilish covers "Creep" by Radiohead
- Maiya Blaney announces new album, A Room With A Door That Closes
- Kara-Lis Coverdale shares final album preview, "Offload Flip"
- Maddie Zahm explores familial relationships on "Mothers & Daughters"
- neil young and the chrome hearts announce debut album, Talkin To The Trees
Get the Best Fit take on the week in music direct to your inbox every Friday

Blondshell
If You Asked For A Picture

Monolake
Gravity

Car Seat Headrest
The Scholars
