Los Angeles-via-Pinetop, Arizona songstress Zella Day honed her craft in her small desert town around the town’s lone coffeehouse, owned by her parents. Day injects her latest single, “Sweet Ophelia”, with a dusty breeziness in her vocals native to her origins atop a contemporary throbbing, synth-backed foundation.
If Nancy Sinatra’s boots were simply made for walking, Zella’s boots are made for stomping judging by the colossal drum machine beat that meets us at the outset and carries the meter throughout the tune. Day also endows the song with a vague but magnetic exoticism, reflective of herself, as is evident of her seductive cavorting in the accompanying video.
What sets Zella truly apart is the timbre of her voice, at once projecting an ethereal delicacy while also asserting a kind of sinewy might – enviable qualities possessed by none other than Stevie Nicks, no doubt one of Zella’s influences. It’s hard not to get swept up into her windstorm when she croons, “up, up away”, as the chorus seeps away.
“Sweet Ophelia” (with b-side, “1965″) is out today, 7 April, via B3SCI Records.
Stream the track below:
- Ami Taf Ra announces Kamasi Washington-produced debut album, The Prophet and The Madman
- Upchuck sign to Domino and share Ty Segall-produced track, "Plastic"
- Motion City Soundtrack announce first album in a decade, The Same Old Wasted Wonderful World
- Winter joins forces with Horse Jumper of Love on new single, "Misery"
- Watch Speedy Wunderground-signed experimentalists O. live in session
- Bicep collaborate with indigenous artists on new project, TAKKUUK
- Noah Cyrus details second album, I WANT MY LOVED ONES TO GO WITH ME
Get the Best Fit take on the week in music direct to your inbox every Friday

Patrick Wolf
Crying The Neck
