Meursault

Scotland’s music scene is in rude health. Bands are blooming like it’s spring-time and the support of bloggers and punters has created a biosphere of creativity. So, in the first of what’s to become a regular column, Billy Hamilton – co-editor of The Scotsman’s Under the Radar new music site – delves deep into its tartan-toned landscape. At the bottom of the post, you can download a free mixtape featuring all of the bands mentioned.

If 2009 was Scotland’s cultural homecoming, then 2010 is the year its musicians need to pack their bags and finally move out.

For the bands that enthralled local gig-goers last year, the next twelve months are critical. Sure, the swollen cyber-palms of backslapping bloggers suggests a limited degree of success beckons, but true worth can only really be gauged if the tartan-kilted nest is vacated for a sojourn to more robust climes down south.

One glance at the upcoming gigs of our lauded young ‘uns shows a burning want to remain within the ball-court that begins and ends on both sides of the M8. Granted, there’s an admirable grit in believing success lies beyond fellating the barnacled cock of Big Ben, but even if the thrill of being sucked into a whorehouse of in-store shows and vacuous T4 slots isn’t your game, the possibility of discovering new audiences should be incentive enough.

In recent years, the most successful (and by successful I mean in terms of collecting critical adulation) Scottish bands to seep into the national hemisphere have been 4AD’s Broken Records and FatCat Records trio The Twilight Sad, Frightened Rabbit and We Were Promised Jetpacks. Yes, they may be enrolled on national labels but these acts had already proven themselves as capable wooers of unfamiliar crowds; each band confident in its ability to unravel the crossed arms of cynics based purely on their music. And it’s this sort of confidence the new breed of Scottish act has to exude in 2010. They need to move away from the Scottish music scene’s cotton-wooled bosom and furrow a pathway through the UK, not just across the Central Belt. Almost certainly, many will fail and return to familiar haunts to be consoled by familiar faces but, hell, at least they tried; at least they can say they gave it a stab, even if they didn’t draw blood.

Positively, 2009 saw the likes of Meursault, There Will Be Fireworks and Panda Su make their first tentative footsteps south – 2010 needs to see this turn into a concerted effort on a broader scale. Many a promising Scottish act has rotted in the gutter because of a lack of national exposure. To avoid joining them, the new batch of Scottish music makers needs to grab its future by the balls because, quite frankly, no one else will.

So, this inaugural dip into the Scottish music scene is not a start of year tiplist. It’s more a roll call of the bands that are closest to being ready to step up and make the breakthrough from local heroes to national runners. Continue Reading

There Will Be Fireworks‘ self titled debut was released last year to a sea of plaudits and accolades. With their visceral and anthemic songs, they make being a successful unsigned Scottish band look effortless.

We asked front man Nicky McManus a few questions about their follow-up, touring and his thoughts on 2009.

Your self released debut was extremely well received, did you expect this sort of reaction?
We’ve been really pleased with the reaction we’ve got – the blogosphere has been kind to us, for the most part. We thought the album was good when we finished it, so we hoped it would get a decent reaction, but weren’t sure if many people would hear it given that we don’t have a label or any press people behind us. So far it’s done OK. It’s been a word-of-mouth thing really, which we’re quietly proud of. We’ve had to order a reprint on the physical copies so hopefully more people will listen to it and – ideally – enjoy it. Continue Reading

Lists upon lists, upon lists… It really IS that time of the year. We’ve been keeping ours closely under-wraps, but now the time is here to unveil TLOBF’s Albums of 2009!

This year, we got each of our writers to nominate their favourite albums of the year, we counted up the votes, and spewed forth the results below. Easy. Always discussion points, I think our Top 10 is certainly one of the most consistently great lists for a number of years. It’s FELT like a good year for music and, despite or, indeed, because of, the rampant consumerism and X-Factor dominating charts, 2009 has felt pretty fresh. Anyway, enough of my ramblings, here we go… Continue Reading

As we’ve previously reported, Euros Childs has a new album, called Son of Euros Childs, out on the 7th of September. It’s free to download from his website but if you want to buy the physical copy you can only buy it off him at a show. Well, if you’re based in London, you now have that chance! He’s playing at the impressive Tamesis Dock in Vauxhall on the 24th of September. Support comes from Sweet Baboo.

Tickets are £6 in advance from here, doors at 7:30 and the venue only has a capacity of 130 so tickets are going to be limited.

More London gig news includes one of our favourite up and coming, and still remarkably unsigned, bands in There Will Be Fireworks. Their debut album has been on constant rotation in TLOBF towers for the best part of this year. Well, now you can see what all the fuss is about.

It’s part of the To Arms Etc single launch, which is taking place at the Queen of Hoxton bar TOMORROW NIGHT! So, get there early, enjoy the support acts and don’t say we didn’t tell you when they get HUGE.

Here ends this public service announcement…

When the narrative comes to be written for standout albums of 2009, there’s going to be a whole heap of Scottish bands involved. And they just keep coming: The Phantom Band, My Latest Novel, Meursault, We Were Promised Jetpacks, the live Frightened Rabbit Album, Broken Records… There Will Be Fireworks are the latest to well up from the fertile Scottish plains, and I suspect, come the end of 2009, they’re going to be somewhere near the top of that ragged heap, if not at the very top.

The facts are these: There Will Be Fireworks are four Glaswegians – old school friends – Adam Ketterer (drums, glockenspiel), David Madden (bass), Gilbran Farrah (guitar, violin, piano) and Nicholas McManus (guitars, vocals, organ) and this is their first record, though it has been a fair while in the making. It was recorded pretty much live in a huge 17th century mill in Stratharven and it’s hard to miss the fact that the circumstances of the recording have invaded the record’s very weave – it sounds huge. What the band have done is taken the dynamics of a certain strand of post-rock (think Mogwai and Explosions in the Sky) and squashed them into throbbing, explosively passionate songs, and in doing so have channelled something of a new sound – a propulsive, widescreen sound that seems at once born of the organic live recording situation and something else, something deeper. There are lives packed into these songs, and at times it feels as if the skin is close to ripping. Continue Reading