Tag Archive | "Nico Muhly"

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Owen Pallett – Union Chapel, London 25/01/10

Posted on 01 February 2010 by Daniel Offen

Having arrived slightly late at the eagerly anticipated, and sold out, Final Fantasy/Owen Pallett Gig, finding a pew (which are remarkably uncomfortable, but rather lovely and twee), I was delighted to find that one of the mystery guests was Lightspeed Champion. A man with whom I’m not intimately familiar, but have heard many good things about, he struck an odd figure on stage, and was fantastic. He was a charming performer, who managed to hold almost all of the attention of the crowd, a somewhat rare feat for the first act any night. Closing with a great cover of ‘She’s Got The Devil In Her Eyes’, he was a definite success.
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Shhh! An All Day Celebration Of Quiet Music – Cecil Sharp House, London 23/01/10

Posted on 27 January 2010 by Adam Elmahdi


Sam Amidon. All photographs by Anika Mottershaw unless otherwise stated.

Whilst “quiet music” to some may be synonymous with “boring folk gubbins,” the organisers of Shhh! set out to dispel this notion with, to my mind, a reasonable degree of success. Take David Thomas Broughton for instance. I’m still unsure myself whether the man’s a genius or a complete charlatan but dull? Nah, never. Whilst I sometime suspect he’s being difficult for the sake of it, the fact remains that beyond his inscrutable antics, there’s a quality songwriter gifted with a stunningly mellifluous voice, with a penchant for offbeat sonic experiments that hit the mark more often or not. What’s more, his hauntingly beautiful duet with Beth Orton was worth the price of admission alone- a surprisingly understated moment from this most unpredictable of eccentrics. Continue Reading

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ATP vs The Fans Strike Back – Minehead, 8th-10th May 2009

Posted on 15 May 2009 by The Line Of Best Fit

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Aaaaaah our favourite time of the year has loomed yet again. All Tomorrow’s Parties. The one event in the calendar year where geeks mingle with beardies and hipsters hold hands with hippies. There really is no other festival like it, and for those of you who couldn’t make it or even for those out there who want to re-live the shenanigans we like to give you the best coverage that’s humanly possible.

We’ve already published John Brainlove’s diary and even ‘twittered’ our way through last weekends events.. But as ATP round 2 kicks off this afternoon we’re pleased to unveil our bumper review!

Two perspectives. Boy and girl. Adam Elmahdi and Kate Price give a detailed look at last weekends The Fans Strike Back event accompanied with the photographs of Lucy Johnston and Rich Thane.

Enjoy! And if we’ve missed anything out – don’t forget to tell us about it in the comments thread below…

Look out for a full review of The Breeders weekend, plus a massive photo feature of both events. All that’s to come next week…

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ATP vs The Fans Strike Back. The Brainlove Chronicles.

Posted on 13 May 2009 by John Brainlove

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Before we run our extensive review of last weekends ATP shenanigans, we asked  John Brainlove’s to jot down some thoughts about the weekends happenings.

Look out for a full review plus a bumper photo feature coming very soon!!

All band photographs by Rich Thane.

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So, we’re in Simon’s rickety car, screaming down the motorway, chasing the patch of blue sky that somehow seems to be constantly moving away from us. The moustachioed Major Matty Hall is our car’s co-pilot, having shotgunned the front seat, like a bastard. He is conducting a short seminar on the difference between nuclear and thermonuclear bombs. We are hurtling towards Minehead. The tape player is apparently frozen, so I am piping The Horrors’ new album through my tinny battery powered speakers.

It’s ATP. yayTP. The lineup this weekend was ostensibly selected by ‘The Fans’, or at the least the excitable ones who buy tickets in time to effect the voting.

Christopher Alcxxk of Internet Forever texts me. He has picked up ten of my favourite Portuguese custard tarts for me from the bakery near his house. We have a boot full of booze and breakfasts. I’ll be sleeping on a sofa in someone else’s chalet this weekend – ATP press tickets come sans-accommodation – and I’m gonna be doing some cooking to say thanks.

By the time we get onsite, we’ve already missed Grouper. Apparently she had an early slot because of travel arrangements (before people were even allowed into their chalets) and played a pretty grumpy set to a half empty room.

After some epic trundling around the chalet village with my luggage on a trolley, I make it into Casiotone For The Painfully Alone in time to catch a few highlights from his great new record, Vs. Children. I get a text – our chalet window has been smashed in while the others were at Tesco getting booze, and there’s glass everywhere, including on the sofa I’m sleeping on.

Andy Hung, Fuck Buttons

Andy Hung, Fuck Buttons

But before I want to deal with that, Jeffrey Lewis is downstairs plying his ever-engaging anti-folk, then HEALTH, who turn in one of the performances of the weekend: a battering, powerful, committed set. I’m a convert.

I pop back to the chalet to survey the damage. Butlins have cleaned up our chalet and boarded up the window. I sit down for a minute, and end up boozily sleeping through Devo.

Fail.

Back in the festival, everyone is talking about how good they were.

Double Fail.

It’s around this time that I bump into Andy from Fuck Buttons, who says their set is going to be 80% new, with a new beginning. The crowd is heaving. “The Fans” are, tonight, increasingly ‘messy’, dressed up kids staggering around with wide pupils. I’m still pretty straight at this point and feel a little bit old. Unusual for the famously ‘beardy’ ATP festival. Fuck Buttons launch straight into a new song, and don’t let up for an hour – their new set is more about beats and building momentum than their previous layered noise stuff. There’s a rhythmic, wriggling section with Andy squeezing sounds out of a Gameboy, an extended, dancey, layered up new song with softer drum and synth sounds than usual, and a new ending with some searing bassy bursts and powerful drumming from Ben. If there’s any criticism to be made, it’s that some of the transitions are a bit long, and let the build/release energy drop rather than peak, but it’s a good solid performance, and a great introduction to the new songs.

Rolf Klausener, The Acorn

Rolf Klausener, The Acorn

Saturday morning, and I still haven’t got those damn tarts off Chris. We keep missing each other. It’s turning into an ongoing custard tart saga. Me and my chalet-mates play crazy golf. The Cave Singers are audible coming from the main stage. The golf isn’t at all crazy. It’s just small.

The Acorn is my favourite show of the weekend. They’re perfect on the pavillion stage. Their warm sound fills the space, resonant and embracing. The two-drummer rhythm section fill every space with sensitively played taps and beats, carrying along the wonderfully emotional and engaging songs. The hairs on the back of my neck go up, and my body feels suddenly ablaze with adrenalin, and I breathe in the sound. Connection: made.

We bowl. I win. Win!

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Beirut play the electronic songs from the new album as traditional arrangements, and they stand up well. “Would you prefer it if I put on a donk on there?” asks Zac. I’m half surprised that my answer is no.

Sarah Pickles of team ATP is having a big wedding party on the Saturday night, so we head over. Marnie Stern is there! I croak out a feeble fanboy “hello Marnie Stern!”, much to the amusement of my so-called friends. The Pontin’s 5-0 descend at 5am and disperse us. Chalet parties till dawn, then the seaside for a blue light sunrise. A man with a musical backpack goes spinning past us, to the strains of “North American Scum”, wheeling down the beach and into the surf, followed by a flock of dancing hippy kids. I fall into bed satisfied that as much fun as humanly possible has been squeezed out of Saturday night at ATP.

By the time I’m capable of functioning again, the Sunday lineup is sparse. The headliners are repeated with both Sleep and The Jesus Lizard playing again, even though neither of them were full to capacity on Saturday. Doubling up the headliners was understandable when there was a queue around the block at the Camber Sands site for someone like Sonic Youth, but here it seems excessive, especially considering the ever-escalating ticket price.

Jason Pierce, Spiritualized

Jason Pierce, Spiritualized

I don’t know if my mood is something to do with it, but Parts & Labour seem really weak. I can’t get into Killing Joke, but then I’ve never liked them much really. Spiritualized play a bludgeoning, unsubtle steamroller set of gospel-tinged stadium rock that sounds more Oasis than Spaceman 3. It’s a big, satisfyingly large and solid sound – but size isn’t everything.

It takes the sheer happiness explosion of The Mae Shi to get the blood pumping again – their odd mixture of jerky guitar lines and screamo, and their chubby-faced emo-tinged manboy 90’s pop-punk sound is accompanied by all kinds of ace theatrical stage antics, including their trademark move – covering the crowd with a giant rainbow-coloured cloth canopy. Fun times.

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Custard Tart Saga

Chris finally catches up with me – the box of tarts has congealed into a solid mass of soggy pastry and warm custard. The rest of Sunday night is spent playing poker and making a dent in the last tray of beers. I’m too exhausted for the party/melee/dance-off/bro-down down at the Crazy Horse bar this time around.

The next day, I hang around a bit longer than usual as Simon steels himself for the drive after 72 hours of sleep deprivation. Within hours, the hall is full of extended families, and the shutters have gone up on confectionary stalls, and the bouncy castles have been blown up. The main hall is full of Lego-coloured plastic furniture, and the only soundcheck that’s happening is for bingo. I finally fall into the car, and fall asleep, and wake up back in London a few hours later.

Brainlove Records

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Grizzly Bear collaborator Nico Muhly announces special London show

Posted on 20 April 2009 by Rich Thane

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If you enjoy the music of Peter Broderick, Sylvain Chaveau, Max Richter, Arvo Part, Philip Glass, Michael Nyman, Steve Reich or Johann Johannsson you will almost certainly want to check out Nico Muhly when he performs in the grandiouse setting of London’s Union Chapel on 8th May. Muhly will appear on stage with TLOBF favourites Sam Amidon and Doveman as well as the Kammer Klang String Quartet – it is sure to be a very special evening.

Nico Muhly’s recent works include  the score to the (Oscar winning) Kate Winslett film – The Reader, plus various classical compositions for current media darlings Grizzly Bear on their soon to be released third album Veckatimest.

Nico Muhly attended Columbia University and the Juilliard School, where he studied composition under Christopher Rouse and John Corigliano. Before graduating from college, Muhly began working for Philip Glass, conducting and making demos for his film scores. Since then, Muhly’s works have been premiered by the Chicago Symphony, the Juilliard Orchestra, the Boston University Tanglewood Institute Orchestra, the Boston Pops, Clare College Choir, New York’s Saint Thomas Church Choir, and the Paris Opera, among others, and he has written film scores for Choking Man (2006), Joshua (2007), Margaret (2009) and the Acadamy Award nominated film, The Reader (2008). He is also a skilled performer, arranger, and conductor to such musicians as Björk, Rufus Wainwright and Antony of Antony and the Johnsons. Both of his albums, Speaks Volumes (2007), Mothertongue (2008) and live shows have received high acclaim in the international press.

Upcoming commissions include an opera developed by the Metropolitan Opera and the English National Opera and a dance with choreographer, Stephen Petronio. He currently lives in New York City.

You can buy tickets for the event here. The Union Chapel is located 5 minutes walk away from Highbury & Islington tube.

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