Taylor and Tyler overcome power cuts and clattering glasses to deliver a very special set as part of their appearance at Sounds from the Other City Festival.


Taylor and Tyler overcome power cuts and clattering glasses to deliver a very special set as part of their appearance at Sounds from the Other City Festival.

8.5/10Fain turbo-boosts vintage British folk-rock templates, with muscular, mesmerising results that will have fans of Midlake, Arbouretum and Dungen howling with pleasure.

9/10The North Carolina collective’s follow-up to the much-acclaimed Poor Moon offers more of the same, only bigger, better and stronger.

9/10Imaginative, diverse and richly layered, Sam Beam’s sound is expanded into blazing widescreen, with results that play like a greatest hits collection on one new album.

8/10The sixth Phosphorescent album mines a rich seam of heartache, but refuses to curl up in a heap of sobs.

If we lived in a fairer world, everyone would know the sounds of Mark Eitzel, or least, so says recent convert Janne Oinonen.

8/10Lowdown and lonesome, these tunes can seem unhealthily devoted to heartache in daylight. Once the twilight falls, however, the odds are you’ll be won over.

7.5/10London/Manchester trio swap 90′s slacker indie-inspired lo-fi aesthetic for rhythmically endowed guitar worship on album number two, with impressive results.

9.5/10The fifteenth album from Cave & Co – is a tense, fractured, bristling listen that pushes the boundaries yet again.

8/10Praise from Bob Dylan. Big-hitting covers by Cash, Weller, Walker et al. Yet Tim Hardin’s songwriting genius remains under-appreciated, a wrong this strong tribute seeks to set right.

6/10The odd highlight aside, the West Coast duo’s dub version of third album Lucifer doesn’t stray far enough from its parent album.

8/10The name of Neil Young and Crazy Horse’s current tour – Alchemy – provides an apt description of the contents of this much overdue reunion, which turns base materials – a few chords, oceans of distortion – into solid gold.
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