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About Glenn Bloxham-Mundy

Author Glenn Bloxham-Mundy

TLOBF Interview // Micah P Hinson

Glenn Bloxham-Mundy catches up with Micah P Hinson as he finishes up touring his excellent new album Micah P Hinson and the Pioneer Saboteurs.

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Anti-pop Consortium – The Harley, Sheffield 06/04/10

Following the release of 2009’s effectively experimental ‘Fluorescent Black’, Anti-Pop Consortium stopped by on their European travels to pay Sheffield their first ever visit.

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Cymbals Eat Guitars – The Cockpit, Leeds, 22/02/2010

Glenn Bloxham-Mundy has a near religious experience as Cymbals Eat Guitars return to the UK after an extensive tour around Europe.

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TLOBF Interview :: Spoon

Prior to Spoon’s recent gig at Manchester’s Academy, Glenn Bloxham-Mundy was lucky enough to spend some time talking with Jim Eno, the wonderfully talented drummer and producer.

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TLOBF Interview :: Adam Green

We have ways of making you talk! TLOBF interrogates Adam Green. “Excuse me, I’ve just gotta go fart in here……”

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Blackroc – Blackroc

Although initially seeming an unnatural and a potentially disastrous project, Blakroc stands out atypically as everything but. Glenn Bloxham-Mundy reviews the Blackroc project.

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HEALTH – Harley Hotel & Bar, Sheffield 05/10/09

Throughout the night, HEATH construct their songs on a foundation of unprecedented surprise, onto which glass-necked guitar riffs are built up and up into a mesmerising frenzy. Glenn Bloxham-Mundy gets floored by HEALTH at their live best.

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Sky Larkin – Bungalows and Bears, Sheffield 27/09/09

“I thought you’d melted for a second, there”, Katie softy jests with a photographer at one point, who had left a spilt pint in his place after searching for a better camera-angle. Sky Larkin take on Sheffield.

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Hallelujah The Hills – Colonial Drones

‘Colonial Drones’, as the title aptly suggests, is a work full of fantasy-like explorations, laden with anthemic choruses and lyrics freely open for interpretation.

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Duke Garwood – The Sand That Falls

Recorded in a vast, deserted house, Garwood assumes the position of the meditative recluse, similar to the highly praised (and rightly so) Justin Vernon on his ‘For Emma, Forever Ago LP’.

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